整理/秦珍子 制图/董怡璇

　　我手写我口

　　我所写的都是我想说的话。即用自己的语言写出自己心中所想的真情实感。它是晚清黄遵宪诗歌革新理念在其诗作中的形象化表达，具体包括两方面含义：一是言文合一，口中想说的即是笔下所写的，不受古文限制，表达上更为自然、自由；二是言为心声，心、口、手一致，不受传统思想道德的束缚，一切新事物、新思想皆可入诗。这种创作理念对于后来的五四白话文运动有着显著影响。

　　I Write What I Want to Say

　　This concept, used by Huang Zunxian of the late Qing Dynasty to promote reform in poetry, advocates that one should write what one sees and thinks, unrestricted by the old writing style or traditional moral values. Such writings are more natural and free in expression, and can express all new things and new ideas. This approach to writing had a significant influence on the later vernacular language movement.

　　引例

　　冲口出常言，法度法前轨。人言非妙处，妙处在于是。（苏轼《与明上人二颂》）（平常的话语冲口说出，而又无不符合前人法度。有人说这样的表达不够精妙，而我认为这正是诗的精妙之处。）

　　Everyday words are naturally spoken, yet they are always in accordance with the principles of the previous generations. Some people say such expression is not subtle, but I think this is where the subtlety of the poem lies. (Su Shi: Two Poems for Monk Ming)

　　秦珍子 董怡璇 来源：中国青年报

　　2025年12月10日 01版